Aïda Ruilova


born 1974 in Wheeling, West Virginia
lives and works in New York

2001                              MFA, School of Visual Arts, New York
1999                              BFA, University of South Florida, Tampa
Solo Exhibitions

lips, pipes & banana, Galerie Guido W. Baudach, Berlin

Smoke Gets In Your Eyes, Fortnight Institute, New York

The Pink Palace, Marlborough Chelsea, New York

Hey... Oh No... You're Pretty, Galerie Guido W. Baudach, Berlin

I'm so Wild about your Strawberry Mouth, Kayne Griffin Corcoran, Los Angeles

Goner, Salon 94 Bowery, New York

Aïda Ruilova, Centro de Arte Contemporáneo La Conservera, Murcia, Spain
Meet the Eye, Galerie Guido W. Baudach, Berlin
Meet the Eye, Francesca Kaufmann, Milan, Italy

The Singles: 1999 – Now, Contemporary Art Center New Orleans, New Orleans, USA
Aïda Ruilova, The Hammer Museum, Los Angeles
The Singles: 1999 – Now, Museum of Contemporary Art Cleveland, Cleveland, USA
The Singles: 1999 – Now, Walter Phillips Gallery, Banff, Canada (cat.)

The Singles: 1999 – Now, Aspen Art Museum, Aspen / Contemporary Art Museum St. Louis, St. Louis, USA (cat.)
Sketch Gallery, London
two-timers, Galerie Guido W. Baudach, Berlin

Lulu, Salon 94 Freemans, New York
The Silver Globe, The Kitchen, New York

Vilma Gold, London
Countdowns, Galleria Francesca Kaufman, Milan, Italy

Lets Go, Greenberg Van Doren Gallery, New York
Endings, Franklin Art Works, Minneapolis, USA

Projektrum: Aïda Ruilova, Galleri Charlotte Lund, Stockholm
Lets Go, The Moore Space, Miami

Untitled, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

Come to Life, Salon 94, in collaboration with Artemis Greenberg, Van Doren Gallery, New York

White Room, White Columns, New York
Selected Group Exhibitions

Manifestations, Galerie Guido W. Baudach, Berlin
In medias res curated by Guido W. Baudach, Hiromi Yoshii Gallery, Tokyo

Resonance/Dissonance, Frost Art Museum, Miami, USA
Summer Reading, Fortnight Institute, New York

Die kalte Libido – Sammlung Goetz im Haus der Kunst, Haus der Kunst, Munich, Germany
Überschönheit, Salzburger Kunstverein, Salzburg, Germany
PUNK. Its Traces in Contemporary Art, MACBA, Barcelona, Spain
PUNK. Its Traces in Contemporary Art, CA2M Centro De Arte Dos De Mayo, Madrid (cat.)
PUNK. Its Traces in Contemporary Art, ARTIUM - Basque Museum Center of  Art, Vitoria-Gasteiz, Spain (cat.)

The Crime was Almost Perfect, PAC Padiglione D' Arte Contemporanea, Milan, Italy
The Crime was Almost Perfect, Witte de With, Rotterdam, Netherlands

Suspicious Minds, Vermelho, Sao Paulo, Brazil
Reading List: Artists' Selections from the MoMA Library Collection, MoMa Library, New York

Pose/Re-Pose, SCAD Museum of Art, Savannah, USA

Ars Apokalipsis. Kunst und Kollaps, Kunstverein Kreis Güthersloh, Güthersloh, Germany
Expanded Territory , KAI 10 | Raum für Kunst, Düsseldorf, Germany
Commercial Break, Garage Center for Contemporary Culture, 54th Venice Biennale, Venice, Italy
Festival of Ideas, ICA, London
BigMinis. Fetishes of Crisis, CAPC, musée d'art contemporain de Bordeaux, Bordeaux, France
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York

Highlights from the Cologne KunstFilmBiennale in Berlin, KW Institute for Contemporary Art, Berlin
Rod Bianco Gallery invites Galerie Guido W. Baudach, Rod Bianco Gallery, Oslo
fast forward 2. The Power of Motion, ZKM, Karlsruhe, Germany
Art in the Auditorium 2, Ballroom Marfa, Marfa, USA
Art in the Auditorium, Whitechapel Gallery, London

amor fati, Galerie Guido W. Baudach, Berlin
Las líneas de la mano, Museo Universitario de Arte Contemporáneo, Mexico City
Warehouse of Horrors, curated by Benjamin Fallon, Studio Warehouse Glasgow 3, a presentation by the EMBASSY gallery, Glasgow (cat.)
Black Mondays, curated by Thomas Mc. Donell, Kathleen Cullen Fine Arts, New York
Slightly Unbalanced, Huntington Museum of Art / Paul & Lulu Hilliard Art Museum, Lafayette, USA (cat.)
From The Archives: 40 Years, 40 Projects, White Columns, New York

Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Miami / Museum of Contemporary Art, Montreal (cat.)
That’s The Way It Is, Galerie Guido W. Baudach, Berlin (cat.)
Tarantula, Fondazione Nicola Trussardi, Milan, Italy
Slightly Unbalanced, Chicago Cultural Center, Chicago (cat.)

Performa07 - The Second Biennial of New Visual Art Performance, New York
Exhibitionsm, Bard Hessel Museum, Bard College, Annandale-on-Hudson, USA
Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art Chicago, Chicago (cat.)
Fantastisk Filmfestival, Lund, Sweden
Between two deaths, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany (cat.)
2nd Moscow Biennale, Moscow
Pale Carnage, Arnolfi, Bristol and Dundee Contemporary Art Center, Dundee, Scotland
Köln Show 2, European Kunsthalle, Cologne, Germany (cat.)
Pensée Sauvage, Frankfurter Kunstverein, Frankfurt, Germany (cat.)

Six Feet Under, Kunstmuseum Bern, Bern
Of Mice and Men, KW Institute for Contemporary Art, 4th Berlin Biennial for Contemporary Art, Berlin (cat.)
Mixed Emotions, curated by Tami Katz-Freiman, Haifa Museum of Art, Haifa, Israel
Uncertain States of America, Bard Hessel Museum, Bard College, Annandale-on-Hudson, USA

Uncertain States of America, curated by Gunnar B. Kvaran, Daniel Birnbaum, and Hans Ulrich Obrist, Astrup Fearnley Museum for Moderne Kunst, Oslo
Rock Music, Center and Gallery P74, Ljubljana, Slovenia
Kelly Nipper - Aïda Ruilova, Galleria Francesca Kaufmann, Milan, Italy
Marking Time, Getty Research Institute, Los Angeles
Greater New York 2005, PS1 Contemporary Art Center, New York (cat.)
RE-IMAGINING HER, University Film Series, California State University, Chico, USA
Reverse Engineers, Carnegie Art Center, North Tonawanda, USA
The Difference Between You and Me, Ian Potter Museum, University of Melbourne, Victoria, Australia
IRREDUCIBLE: Contemporary Short Form Video, 1995-2005, CCA Wattis Institute, San Francisco / Miami Art Central Museum, Miami / Bronx Museum, New York

Phillip: Divided by Lightning, Deitch Projects, New York with John Connelly presents Movimento/Movimenti, curated by Francesco Bonami, in association with la Biennale di Venezia, Venice, Italy
Me, Myself & I, University Galleries, Florida / Atlantic University, Boca Raton, USA
Black and White, Greenberg Van Doren Gallery, New York
Eflux Video Rental, Eflux, New York
Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York
The Sixth Annual Altoids Curiously Strong Collection, New Digital Archive Museum, New York
Academy of Fine Arts, Philadelphia
Supernatural, Zurcher Gallery, Paris
Collector’s Cabinet, Marc Selwyn, Los Angeles
Disturbing the Peace, Danese Gallery, New York
It's about memory, curated by Simon Watson, Rhona Hoffman Gallery, Chicago
Whitney Biennial 2004, Whitney Museum of American Art, New York (cat.)
I, Assassin, curated by Slater Bradley, Wallspace, New York
Suspended State, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA
Possessed, Western Bridge, Seattle, USA

Unplugged, Galleria Civica di Arte Contemporanea di Trento, Trento, Italy
Strange Days, Museum of Contemporary Art, Chicago / Harn Musem, Gainesville, USA
From the Flat Files, Ramp Gallery, Waikoto Institute of Technology, Hamilton, New Zealand
Clandestines, 50th La Biennale de Venezia, Venice, Italy
Prague Biennale, Prague
The Lengths, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA
New Museum at Field Day, New York
I See A Darkness, Blum & Poe, Los Angeles

Teenage Rebel: The Bedroom Show, John Connelly Presents, New York
Videodrome II, The New Museum of Contemporary Art, New York
Monitor II, Gagosian Gallery, New York
Altered States, Stefan Stux Gallery, New York

Downtown Arts Festival, New York
Special Projects, PS1 Contemporary Art Center, New York
Casino 2001, S.M.A.K., Ghent, Belgium

Collectors Choice, Exit Art, New York

LIFER, Cardozo School of Law, Rove, New York
Hi-8, Museu Nacional de Historia Natural, Lisbon, Portugal
Projects / Screenings

Keep Moving, The Power Plant, Toronto, Canada
Regained, 43rd International Film Festival Rotterdam 2014, Rotterdam, Netherlands
Art Seen, Nitehawk Cinema, New York

Everything is Under Control, CPH:DOX Copenhagen International Documentary Film Festival
Shorts film festival, Nitehawk Cinema, New York
Double Feature, Schirn Kunsthalle Frankfurt, Frankfurt, Germany

Sparkmarker, Artists films at Nitehawk Cinema, Nitehawk Cinema, New York
LUXE Cinema, London
Art Film, Art Basel

Vortex Revisions, Tate Britain, London
Template for Terror, Revival of the Gothic, ICA, London

What makes Art Popular, What Makes Popular Art?, DCA Dundee Contemporary Arts, Dundee, United Kingdom

Depiction, Perversion, Repulsion, Obsession, Subversion, Witte de With's selection for the International Film Festival, Rotterdam, Netherlands
Never Still, CCA, Glasgow Film Festival
Artist Videos at the IFC, West Village, New York

Art Positions (with Kelly Nipper), Art Basel Miami Beach
LUXE Cinema, London

Videokunst: Geist, Gemeinschaft und Tschai, Locus, Athens
artFORCE, Plum TV, Art Production Fund/Yvonne Force Inc.

Impakt Festival 2003, Central Museum, Utrecht, Netherlands
Images Festival, Toronto, Canada
Video Program, School of Visual Arts, New York

The Dialogue, film/video screenings and discussion, Thomas Erben Gallery, New York

Impakt Festival 2002, Central Museum, Utrecht, Netherlands

Stichting Lazymarie Video Fest, Netherlands
Kill Rock Stars Video Compilation #2, music video for the band Deerhoof

Slattery for Ungdom, record of band Alva, Menlo Park Recordings, New York

Fair-Haired Guillotine, record of band Alva, Avant, New York
New Directors / New Films, Museum of Modern Art, band Alva, soundtrack for animated feature film Calendar the Siamese by Lewis Klahr

7th Annual Independent Filmmakers Night, Tampa Museum of Art, Tampa, USA